Font Fopas

I can't tell you the amount of times I print something off quickly for workshop, read it, realize every capital i looks like a lower case L and debate with myself whether or not I should recycle the papers or just power ahead.

So for a small tip: take a few extra seconds in your prep time to make sure you use a font where capital i and L are obviously different, especially working with poets just learning to read and write. I usually keep it basic with Times New Roman, but there are definitely more fun and engaging fonts out there that also make a clear distinction.

This simple edit makes it easier for everyone to read, whether you're printing something for a collaborative found poem, individual reading activity, or blowing the letters up large for an activity on the board.

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Teachers & Writers Publication

It has been a wild couple weeks for me, but wanted to take a second to share that I recently published “Found Poetry & Accessibility” in Teachers & Writers Magazine. The piece offers three ways to use found poetry as an accessible and inclusive entryway into poetry.

Give it a read!

Example of a black out poem. A page from a book about birds has large strokes of black blocking out specific lines of words, images, and design details. The remaining words form a poem and in the bottom left is the picture of a bird.

Example of a black out poem. A page from a book about birds has large strokes of black blocking out specific lines of words, images, and design details. The remaining words form a poem and in the bottom left is the picture of a bird.

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Sonnet Challenge

For Valentine’s Day I challenged one of my workshops to write sonnets.

This was my first time teaching a form in any of my workshops. I’ve done haiku scavenger hunts before, but those were more about the experiential nature of haiku than any of the form’s diction and thematic restrictions.

To start this sonnet lesson I explained that some poems have rules, which piqued the attention of a couple poets in the room right away. We’ve been writing together as a group for almost two years now and in that time I’ve pretty much let them free write, the exceptions being group projects like our holiday cookie tags, so this was something new.

I had Sonnet and the numbers one through fourteen listed downward on the board as a visual for everyone to reference. I decided to start with the basic rule, that a sonnet is a poem with fourteen lines. While rhyme and meter play a big role in the Shakespearean Sonnet (which is the form I was basing this introduction on) it didn’t quite feel right to dive into that. I wanted this to be a challenge for the poets, but not overwhelm them. Furthermore, I wanted them to be engaged and intrigued and bogging them down with all the details of form would have dimmed the excitement.

on a white dry erase school board the word Sonnet is written at the top with a vertical stack of numbers 1-14 underneath it. All the writing is in blue.

on a white dry erase school board the word Sonnet is written at the top with a vertical stack of numbers 1-14 underneath it. All the writing is in blue.

Next I talked about the theme, sonnets are about someone or something you really like. I got a lot of “blehs” from this as the thought of writing a love poem, or “love letter” as one of the poets said, was off putting. I told them though that it didn’t have to be addressed to someone, it could simply be fun and addressed to a video game the loved, a show, a book, anything is sonnet worthy.

Once that was established and no one felt like they had to write a love poem, the poets set to work and it was amazing! They tackled the challenge so well! Even the poet who was so opposed to writing “love letters” started with Sonic, but ended with an amazing ode to family, friends, and school.

One note, I started off just letting them free write, but it became quickly apparent that encouraging the poets to number one to fourteen down the side of their paper (like I had up on the board) provided a good frame of reference. Aside from this addition to their papers and occasional encouragement from the teachers and therapists supporting the group not much scaffolding took place.


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Snowball Dialouge

New article over in Whale Road Literary Review on “Snowball Dialouge” a writing technique I’ve used with students in the Sensorimotor Poetry Workshops.

While this article talks specifically about moments of peer learning in the workshop space, I've also used this as a strategy to help communicate and co-regulate with students in the day-to-day as well.

It's a good back pocket tool for any educator!

Black text on a white background. The top has the masthead for  Whale Road Review  with four lines right aligned indicating an online drop down menu. Below that masthead is the start of the article with “Snowball Dialogue” in bold, black title lettering and the article lettering beginning in paragraph form below.

Black text on a white background. The top has the masthead for Whale Road Review with four lines right aligned indicating an online drop down menu. Below that masthead is the start of the article with “Snowball Dialogue” in bold, black title lettering and the article lettering beginning in paragraph form below.

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